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Tom King and Jorge Fornés collaborated on Batman, and now they’re taking on a very different vigilante in Rorschach—where the controversial Watchmen character resurfaces, apparently, 35 years after his death. But how and why is a mystery that will unfold in this graphic novel collection.
Interview with Rorschach writer Tom King
What’s the process like of taking Rorschach—a character distinctly tied to the mid-‘80s era of Watchmen—and telling a story that had relevance to you in 2020?
Things are crazy right now. I mean it’s insane; it’s driving people insane. And we have to talk about it; we have to try make things that are as good as all that bad that’s out there, or else we’ll just surrender to it and who wants to do that? The language of Rorschach is a language you can tell a story about a world like this in. It doesn’t work with Superman and Batman. Those are the wrong words. But Rorschach, he can talk to it, he can describe it, he can write it on a sign and march it down the street past all the heroes ignoring the truth that’s in front of them. The only way to write Rorschach is to be relevant.
Interview with Rorschach artist Jorge Fornés
How do you describe your visual approach to the series? How do you balance honoring the character’s very famous artistic legacy while also making it distinctly yours?
It’s hard work. One of the most recognizable things about Watchmen is the phenomenal work that Dave [Gibbons] did, it’s really iconic! We’ve tried to create a book in the same universe but independent in itself, so I tried to continue working with my usual style equally inspired by the noir genre but with a quite different look from the original Watchmen. We didn’t want to make an imitation of the original series, and I opted for a look close to aesthetic classicism and inspired by the noir films of the ‘60/’70s that fits perfectly for the book…I hope!