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What role does gardening play in your life?
I’ve been a gardener longer than I have been a writer. I started exploring gardens as a child after my parents divorced, because it was my father’s preferred way of spending time. I received a lovely indoctrination into the beauty and calm of gardens. As a student deeply involved in environmental activism, I dropped out of university and went to live on road protests, in treehouses in imperilled woodlands. Later I trained to become a herbalist and was involved in community garden projects. I rented until I was forty, so my attempt to put down roots in my own gardens was regularly foiled by landlords. Now for the first time in my life I have a garden of my own. I think of gardening very much as an adjunct to writing. Both require a sense of architecture and also patient daily maintenance. My garden in Suffolk is a third of an acre and full of rare plants, but it’s also wild at the edges, defiantly shaggy and packed with surprises: exactly what I’d hope for from a book.
Are gardens tangled up with ideas of privilege and exclusion?
From Eden on, the answer is definitely yes. The very word ‘paradise’ comes from the Persian for ‘walled garden’, and a walled garden by its nature is both a place of seclusion and safety, but also expulsion and privilege. The Eden of the Bible and Milton’s Paradise Lost is a place of great beauty, but also of surveillance and eviction. What I wanted to do with this book was examine the ways that gardens have been involved in these process. Who paid for them? How? Who was included and who was left out? I look at the process of enclosure, the seizure of the common land in England by the wealthy, and I also examine how the obscene profits from colonial slavery funded a concerted beautification of the landscape. The family I track through the centuries and across continents, the Middletons, used gardens as a way of purifying their money, ascending up the class ladder until they were on close terms with the royal family. They used gardens to wash their reputations and to erase slavery from view. It’s very similar to how the Sackler family used art to distance themselves from the horrors of the opioid epidemic, from which their wealth arose. I wanted to show in a very granular way how those processes worked, but I also wanted to remain alive to the radical possibilities of gardens.